Thursday, July 31, 2008

Horse Saddle Cake Idea




Today, July 30, 2008, died in Paris - St. Denis, Georges Lapassade

was born May 10, 1924 to Arbus, a small village in the Pyrenees in southern France and among his last wishes expressed to get back there, but this was not possible because of poor health that forced him to dialysis for years and recently have seen him go out without force. Loved singing and wanted to hear sing "le temps des cerises", the singing of the Paris Commune. He loved to see young people playing, dancing to trance. He loved the Gnawa of Morocco, the "pinched" the Salento and the tenor and the round dance of Sardinia. He loved everyone who has encouraged and helped to study and learn risk, leading player in the conflicts arising from an acute social critic learning. Hosted at his home in Paris, students who needed to stay there for college. He traveled much in his life, went into people's homes and was host, was employed in universities in Italy during the Pantera in 1990 and in 1968 he lived throughout the Sorbonne in occupied France in May.
One day he told me that he wanted his house opposite the university Paris 8, where I was staying, after his death became a place to host foreign students that they needed and did research on intercultural.
sociologist, educator, philosopher, ethnographer ... has never been possible to frame it in any discipline because he practiced a rigorous cross-cutting approach. Always put your finger on the social ills faithful always here and now, the ICO et maintenant.
leaves us a legacy of enormous practical reflection, stimulating and above all the desire to continue living the incompleteness of man.
A hug to all who knew him personally, I feel the need for mutual sympathy
Salvatore Panu

Wednesday, February 13, 2008

Roller Skates Bc Canada

Pino Zimba, a "loa" Salento


Mighali Joseph, "Zimba" differed from the others. Playing for him was laughing.
He did his face and his whole body. A broad laugh, contagious, light and inviting, which made only 'her' scene. Holds within itself a great legacy psychic and material. He was proud, conscious of the responsibility he had to. A legacy that was his blessing. "Tracing back along the arc of the story of four generations of family Zimba Aradeo" says Sergio Torsello, in the beautiful "Zimba, voices, sounds, rhythms Aradeo" published in 2004 by Kurumuny, "means entering into a microcosm in which all parade the classical topos Salento folk culture in the last fifty years: the Taranto, music therapy, the techniques for the tambourines, the contemporary stage of the revived 'pinches'. It 's like being at the center of an ongoing game of mirrors in which are reflected sounds, images and words that mark time' sacred 'and the profane in an indissoluble unity. The pictures, mirror, yet symbolically opposed both daughters of the same story, are those of Frank Zimba father, dancing on the image of St. Paul, and the patina of the most famous of Zimba, Pine, an extraordinary interpreter of himself in 'Sangue Vivo' , a memorable icon winsperiana Salento in the balance between modernity and tradition, a symbol of the renaissance of the characters of the pinch. "
think art means to think of beauty. And beauty is power, grace that changes to the Act in place. The beat of the tambourine, "this small, simple tool built on the skeleton of the 'farnaro', which served as a sieve for women to 'discern' the meal ', was the work of the wonderful life of Pino Zimba. I still feel his hand in the digital spectrum to deliver the history of popular music of Salento, but we will miss his generosity, enthusiasm, skill and his eyes always on alert, attentive to build the unique magic of dance.
Maya Deren writes it 'The Knights of the Divine Voodoo': "If in the chorus, you hear a voice suddenly emerge only with a special emphasis, or whether, in the crowded circle, including all the bodies that move, if they notice any whose movements exceed those of the crowd and become spectacular is a sign that a loa (deity status) has arrived. Because if the sign of the dedication of a man lies in his loa to serve in humility, the sign of the devotion of a loa to humans is in its full manifestation. So the virtuosity belongs to the gods. " Here, Pino Zimba was a virtuoso in humility has served the sources that give life, continuity and renewal of tradition, and humbly accepted the gift from the tradition that he was.

MM

Monday, February 11, 2008

Brent Corrigan Blogsppot

Dojo AIKIDO art report



Aikido the art of relationship is a very interesting book
I recommend you read it ...

Aikido: The Art of Relazione2007
Adea Publisher
ISBN: 978-88-86274-47
euro 15.00